Dr. Fred Goodwin provides an overview of the emotionally charged film %u201CIf I Could,%u201D a film about child abuse, despair, and hope.
See the Stasi sack the home of Heinz Nels, who is later arrested for possession of poems. Uwe Spacek recalls being a Stasi informer.
Introduction to the classic film (1948) of Shakespeare's "Hamlet" begins with film credits and the introduction to the play.
genre, thus guaranteeing future audiences for future films. New technology continues to open new opportunities for the movies.
Drawn by stars, spectacle, and sound, audiences flock to theaters, and soon filmmaking becomes big business. The movie business has always been star driven--but- it was the studios that ran the stars. Audiences want familiar stories that follow in p...
Jennifer Baichwal explains the power of rhythm escaping from the natural sound scape of a scene. Some directors like Stan Neumann don't believe music has a place in documentaries. Peter Wintonick and Errol Morris disagree.
Werner Herzog sees no distinction between his work and narrative feature films. Kim Longinotto likens a film's sound to its heartbeat. Velcrow
Subject: Film
This documentary explores the works of women film directors, specifically the differences explicit in women's point of view, and expression of desire
Genre: Documentary films
Contributor(s): Saga film (Firm : Brussels, Belgium)
Subject: Feminist films