UnSlut: A Documentary Film
Through the stories of five North American women and interviews with sexuality experts, advocates, and media figures, UnSlut: A Documentary Film
Genre: Non fiction film
Transcript: this problem is. Action. (Emily) This film has grown out of The UnSlut Project. The project has always been rooted in personal story sharing, so my
General Motors in the Media
presence in films and television. But the company that helped build the middle class has gone broke.
Jihad TV: terrorism and mass media
and consequences of airing graphic violence, the program explores the inextricable links between media technology and terrorist agendas. One scene
Contributor(s): Films for the Humanities & Sciences (Firm)
Subject: Terrorism and mass media
Transcript: FILM THE IMAGES THEMSELVES. THEY JUST STOLE THEIR ENEMY'S FOOTAGE AND TURNED INTO PROPAGANDA NARRATIVES LIKE THIS. THIS IS ONE OF AL QAEDA'S EARLIEST
Publisher: Films Media Group (Firm)
Manufacturing Consent : Noam Chomsky and the Media (DVD Extra Content)
outrageous illustrations, the film highlights Chomsky’s probing analysis of mass media. A mammoth two-part project, 'Manufacturing consent' is nonetheless
Genre: Documentary films
Contributor(s): National Film Board of Canada
Publisher: Zeitgeist Films
NOW with Bill Moyers: John Nichols and Robert McChesney on the media and democracy
In this program, media experts John Nichols and Robert McChesney join Bill Moyers to examine America’s corporate media machine and the dire
Contributor(s): Films for the Humanities & Sciences (Firm)
Subject: Mass media--United States
Transcript: viewers like you. Thank you. From our studios in New York, Bill Moyers. My guests today have the media as their passion. Robert McChesney is research
Publisher: Films Media Group (Firm)
American Tongues : A film about the way we talk
A documentary about the way people talk in the United States. Portrays some of the regional, social, and ethnic differences in American speech, and the attitudes that people have about these differences.
Genre: Documentary films
Contributor(s): CNAM Film Library
Publisher: Center for New American Media Inc.
The body as a matrix: Matthew Barney's cremaster cycle
With the five-part Cremaster Cycle of films, multi-award-winning artist Matthew Barney invented a densely layered and interconnected sculptural world
Series: Video Artists, Video Art: Film At The Fringes Of Experience
Contributor(s): Films for the Humanities & Sciences (Firm)
Subject: Experimental films
Transcript: out and figure out which parts need to develop and to refine. The Cremaster title was chosen, in fact, to sound like a serial film title... that
Publisher: Films Media Group (Firm)
New York, 1919-1931: Cosmopolis
During this episode of New York: A Documentary Film, filmmaker Ric Burns explores how the post-World War I economic boom, the rise of consumer
Genre: Documentary films
Series: New York: A Documentary Film By Ric Burns
Contributor(s): Films for the Humanities & Sciences (Firm)
Transcript: the media, that the media are centralized here. The media are a way of colonizing space. So it was the center, I think, of this sense of air
Publisher: Films Media Group (Firm)
New York, 1898-1918: The Power and the People
In this episode of New York: A Documentary Film, filmmaker Ric Burns follows the city into the 20th century in the wake of an extraordinary wave of
Genre: Documentary films
Series: New York: A Documentary Film By Ric Burns
Contributor(s): Films for the Humanities & Sciences (Firm)
Transcript: . They had just brief 15, 30-second shots of things, but they hand-tinted some of them to be color. They did have this one film of a wall of water just
Publisher: Films Media Group (Firm)
William Kentridge: art from the ashes
powerfully illustrates his abiding concerns with the sociopolitical legacy of racial oppression and colonialism in South Africa. The film clips also reveal how
Series: Video Artists, Video Art: Film At The Fringes Of Experience
Contributor(s): Films for the Humanities & Sciences (Firm)
Transcript: must stop worrying about the fact that it's not oil paint. In fact, all the work I do in films would be impossible if it was a different technique. The
Publisher: Films Media Group (Firm)