Abstract
In this program, artist, filmmaker, and dramatist William Kentridge demonstrates his remarkable filmmaking technique - stop-action animation using photos of charcoal drawings in which he has erased and redrawn scenes in different arrangements - as he works on Stereoscope. Footage from that piece as well as from History of the Main Complaint; Felix in Exile; Sobriety, Obesity & Growing Old; Mine; and Johannesburg, 2nd Greatest City After Paris powerfully illustrates his abiding concerns with the sociopolitical legacy of racial oppression and colonialism in South Africa. The film clips also reveal how his polemical "drawings for projection" evoke a nuanced sense of time's passage as each image builds upon the shadowy remnants of prior ones.
Collection
Subject
Series
Video artists, video art: film at the fringes of experience
Contributors
Duration
00:52:04 (HH:MM:SS)
Language:
English
Target or Intended Audience
Higher education
Copyright Holder
| Name | Films Media Group (Firm) |
| Role | Publisher |
| Telephone | 800-257-5126 |
| Address | 200 Metro Blvd., Suite 124, Hamilton, NJ 08619 |
| [email protected] |
Rights Declaration:
This video is protected by copyright. You are free to view it but not download or remix it. Please contact the licensing institution for further information about how you may use this video.
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Metadata