Abstract
Reflecting on Mao’s famous saying, “Let a hundred flowers blossom and a hundred schools of thought contend,” Trinh T. Minh-ha’s film—whose title refers in part to a Chinese guessing game—is a unique excursion into the maze of allegorical naming and storytelling in China. The film ponders questions of power and change, politics and culture, as refracted by Tiananmen Square events. It offers at the same time an inquiry into the creative process of filmmaking, intricately layering Chinese popular songs and classical music, the sayings of Mao and Confucius, women’s voices and the words of artists, philosophers and other cultural workers. Video images emulate the gestures of calligraphy and contrast with film footage of rural China and stylized interviews. Like traditional Chinese opera, Trinh’s film unfolds through “bold omissions and minute depictions” to render “the real in the illusory and the illusory in the real.” Exploring color, rhythm and the changing relationship between ear and eye, this meditative documentary realizes on screen the shifts of interpretation in contemporary Chinese culture and politics.
Subject
Contributors
Duration
01:41:10 (HH:MM:SS)
Language:
English
Target or Intended Audience
adult/continuing education, higher education, high school (grades 10-12), college
Copyright Holder
| Name | Women Make Movies |
| Role | distributor |
| Telephone | 212-925-0606 |
| Address | 462 Broadway, STE 500, New York, NY 10013 |
| [email protected] |
Copyright Date
1991-01-01
Rights Declaration:
This video is protected by copyright. You are free to view it but not download or remix it. Please contact the licensing institution for further information about how you may use this video.
Persistent/Share URL
https://54098.surd9.group/show.php?pid=njcore:29167
Basic LTI parameter
pid=njcore:29167
PID
njcore:29167
Metadata