Abstract
White Scripts and Black Supermen: Black Masculinities in Comic Books analyzes the subject of representations of Black masculinity in comic books; a popular culture genre which existed before television and whose reach extends into other areas of cultural production such as movies and animated TV series, for the first time and looks at it over a 40 year period.
In a serious, lively and humorous manner, the film examines the degree to which some of the first Black superheroes generally adhered to and were burdened by stereotypes about Black men. However we also witness how some images shifted – oftentimes clumsily - to reflect the changing times. In fact the documentary was formerly entitled Shaft or Sidney Poitier: Black Masculinity in Comic Books to signify two types of characters, one with hyper-masculine urban swagger (Shaft) and one with remarkably “dignified” behavior (Sidney Poitier). Ultimately, it became clear that there was much more "Shaft" than "Sidney Poitier" in these early Black superheroes.
Along with images from the comic books themselves, it features commentary by scholars and cultural critics (Jelani Cobb, Mark Anthony Neal, Sundiata Keita Cha-Jua) producers, writers and artists (Reginald Hudlin, John Jennings, Tony Isabella and the late pioneer Dwayne McDuffie.) They provide tools for critiquing all media as they introduce and analyze the leading Black comic book superheroes of the late 60's to late 70's including Black Panther, the Falcon, John Stewart (the Green Lantern), Luke Cage and Black Lightning.
In a serious, lively and humorous manner, the film examines the degree to which some of the first Black superheroes generally adhered to and were burdened by stereotypes about Black men. However we also witness how some images shifted – oftentimes clumsily - to reflect the changing times. In fact the documentary was formerly entitled Shaft or Sidney Poitier: Black Masculinity in Comic Books to signify two types of characters, one with hyper-masculine urban swagger (Shaft) and one with remarkably “dignified” behavior (Sidney Poitier). Ultimately, it became clear that there was much more "Shaft" than "Sidney Poitier" in these early Black superheroes.
Along with images from the comic books themselves, it features commentary by scholars and cultural critics (Jelani Cobb, Mark Anthony Neal, Sundiata Keita Cha-Jua) producers, writers and artists (Reginald Hudlin, John Jennings, Tony Isabella and the late pioneer Dwayne McDuffie.) They provide tools for critiquing all media as they introduce and analyze the leading Black comic book superheroes of the late 60's to late 70's including Black Panther, the Falcon, John Stewart (the Green Lantern), Luke Cage and Black Lightning.
Collection
Subject
Comic books, strips, etc. -- United States -- History and criticism, Superheroes in literature, African American men in literature, African American men in popular culture, Masculinity in literature, Race in literature, Race discrimination in literature, Comic books, strips, etc. -- Social aspects -- United States -- History -- 20th century, Popular culture -- United States -- History -- 20th century
Contributors
Duration
01:58:46 (HH:MM:SS)
Language:
English
Target or Intended Audience
adult/continuing education, higher education, high school (grades 10-12), college
Copyright Holder
Name | California Newsreel |
Role | distributor |
Telephone | 415-284-7800 |
Address | 500 Third Street, Suite #505, San Francisco, CA 94107-1875 |
[email protected] |
Copyright Date
2011-01-01
Rights Declaration:
This video is protected by copyright. You are free to view it but not download or remix it. Please contact the licensing institution for further information about how you may use this video.
Persistent/Share URL
https://54098.surd9.group/show.php?pid=njcore:31707
Basic LTI parameter
pid=njcore:31707
PID
njcore:31707
Metadata