Abstract
Bitter Roots: The Ends of a Kalahari Myth is set in Nyae-Nyae, a region of Namibia located in southern Africa's Kalahari desert, traditional home of the Ju/'hoansi. It updates the ethnographic film record begun in the 1950s by John Marshall, whose films documented 50 years of change, and who together with Claire Ritchie, established a grass-roots development foundation, which Adrian Strong (the filmmaker) joined in the late 1980s.
Shot in 2007, two years after Marshall's death (and including footage from his films), Bitter Roots documents the return of Strong and Ritchie to Nyae-Nyae where they observe the erosion of a community-led development process following the imposition of a new agenda led by the World Wildlife Fund, which prioritizes wildlife conservation and tourism over subsistence farming. Communities voice their dissatisfaction with the new Conservancy, which has done little to help people farm and improve their lives.
Through archival footage and discussions with community members, this film sensitively examines the problems (lions, elephants, conservationists) currently facing the Ju/'hoansi and challenges the myth that they are culturally unable to farm. The film investigates the perpetuation of this myth by showing how tourists and filmmakers still demand to see how people used to live rather than they way they live now, and how the Ju/'hoansi cope with such expectations, while steadfastly continuing to farm against all the odds.
Shot in 2007, two years after Marshall's death (and including footage from his films), Bitter Roots documents the return of Strong and Ritchie to Nyae-Nyae where they observe the erosion of a community-led development process following the imposition of a new agenda led by the World Wildlife Fund, which prioritizes wildlife conservation and tourism over subsistence farming. Communities voice their dissatisfaction with the new Conservancy, which has done little to help people farm and improve their lives.
Through archival footage and discussions with community members, this film sensitively examines the problems (lions, elephants, conservationists) currently facing the Ju/'hoansi and challenges the myth that they are culturally unable to farm. The film investigates the perpetuation of this myth by showing how tourists and filmmakers still demand to see how people used to live rather than they way they live now, and how the Ju/'hoansi cope with such expectations, while steadfastly continuing to farm against all the odds.
Collection
Subject
!Kung (African people) -- Namibia -- Nyae Nyae -- Social conditions, !Kung (African people) -- Namibia -- Nyae Nyae -- Social life and customs, !Kung (African people) -- Namibia -- Nyae Nyae -- Economic conditions, Subsistence farming -- Namibia -- Nyae Nyae, Nyae Nyae (Namibia) -- History, Wildlife conservation -- Social aspects -- Namibia -- Nyae Nyae, World Wildlife Fund, Marshall, John, -- 1932-2005
Contributors
Duration
01:10:05 (HH:MM:SS)
Language:
English
Target or Intended Audience
adult/continuing education, higher education, high school (grades 10-12), college
Copyright Holder
| Name | Documentary Educational Resources |
| Role | distributor |
| Telephone | (617) 926-0491 |
| Address | 101 Morse Street, Watertown, MA 02472 |
| [email protected] |
Copyright Date
2011-01-01
Rights Declaration:
This video is protected by copyright. You are free to view it but not download or remix it. Please contact the licensing institution for further information about how you may use this video.
Persistent/Share URL
https://54098.surd9.group/show.php?pid=njcore:32510
Basic LTI parameter
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PID
njcore:32510
Metadata